rock journalism

LISTS

What to Expect When Expecting New Music

Well, 2024 has come and gone and we saw some amazing music come out of the last 365 days. Now it is on to 2025 and whole new list of tasty tunes is being splattered before our ears. Last year we saw a huge wave of new and established artists releasing a mass of incredible tracks. Will this year be able to hold up to the onslaught of fantastic art we were given in the previous time slot? I am compiling a list of albums that will hit wax, streaming services and the airwaves this next year. This will be an ongoing process- full of constant edits and adds and updates. Here is what I have gathered so far about what to expect when expecting new music in 2025.

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ALBUM REVIEWSFEATUREDLISTS

Top 5 Records of the Year

Another year has passed, and we were once again treated to so many great new albums.  I just hope that 2025 presents us with as much music enrichment as these last 365 days.  I am attempting to list my Top 5 records of 2024 and in doing so I have scratched out so many, then rewritten some of those deleted mentions and then re-rewritten the entire list multiple times.  Each time that I have done so I have compiled an original listing once again

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ALBUM REVIEWSB SidesMUSIC NEWS

Love Courtney 🖤

On March 14th, 1995, my friend Josh Kaye and I grabbed tickets to go see Hole at The Edge in Orlando, Florida.  It was one of the first shows that Courtney Love and her band played after the death of her husband, Kurt Cobain, nearly one year earlier.  This was the closest I could get to seeing Kurt and Nirvana and I was super excited to see the show.  To see Courtney, and no, I don’t think she had anything to do with his death.  I think that conspiracy makes people feel better about the untimely death of our John Lennon. Like, he didn’t leave us, he was taken away. 

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B SidesFEATUREDMUSIC NEWS

Beyoncé Bounced 

“Cowboy Carter” has been considered a reclamation of country music because it highlights Black artists’ contributions to the genre. Many folks had hoped that it would bring even more visibility to country Black artists.  Emmett Price III, dean of Africana studies at Berklee College of Music, said her album was “calling into question not only the historical and cultural roots of country and Western but also how we normalize certain cultural aspects of country culture.”  

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