ALBUM REVIEWS Archives

‘Butterfly’ takes us down that winding road of the inevitable…death. However, this isn’t a gloom and doom song about the end of days. It is a beacon of light that begs the question of “what really happens when we die?” and combines that with a glimmering and optimistic answer. Hopefully we are with the ones that went before us, and if we are first, then hopefully our loves will follow us there. Rose says of the track, “Overall the song is about the idea of being so deeply bonded with someone that you believe you would stay connected in any and every lifetime.”

ALBUM REVIEWS FEATURED

September 7, 2026 Jason Shrum

Tower Brothers | All The Dogs | New EP Review

The band is originally from Boston, but has made a home in Nashville and is on the label Red Guitar Music. RGM is a record label based in the Music City and founded by Travis Fairley of Catchfire. Signing with the label means full service. RGM handles A&R, booking, publicity, recording, mixing and producing. I have had excellent music pushed my way by the label including Catchfire, Carl Pariso, and Daisy Sellas. The band under my current light is made up of the brothers Jackson Tower (Keys / Bass / Vocals / Guitar) and Owen Tower (Guitar / Vocals), alongside friends Thomas Prescott (Guitar) and Quinten Cohen (Drums / Vocals).

ALBUM REVIEWS FEATURED

September 1, 2026 Jason Shrum

Rosemary Shultz: “Tied to You” Single Release

As I yapped my way into another friendship post Bowery performance, Rosemary and I slowly developed our own connection. I ventured to the Teakwood Garden (RIP) to dive into Rosemary’s Musical World once more. I was there when she performed the Harmonica for the first time live. I took a day off my neurotic schedule to dress up like a fairy princess, and enjoy some tea at the Troll House Cottage. I badgered my husband to take me to the 1865 Club when we were counting pennies to support our evening out. I fought my way to show up to house shows haggardly when I felt like the social experience would be a direct cause of my death. And after I bit the bullet to write my first Rock Oracle Article? Rosemary’s TreeHouse Collab was the first local show I covered as an Oracle for Rock Oracle. To get to my point, it has not always been easy for me to nurture a connection with Rosemary. In fact, both of us have been on the hustle with our Earth energy, and Watery Dreams. Yet, there has been a String Tied to You, Tied To Me.

ALBUM REVIEWS FEATURED MUSIC NEWS

August 21, 2026 Mooney

Fontaines D.C. New Single and Music Video ‘Marianne’ Unveiled

And “Marianne” feels like the beginning of yet another version.

It’s haunting, cinematic, strangely danceable, and emotionally heavy. Grian’s baritone sits over it like a ghost, while the lyrics and instrumentation leave just enough unanswered that I’m still wandering around my little haunted house looking for clues. Add the music video, the emotion surrounding Trev, and the story of how this song found its place on the album, and “Marianne” feels like far more than just another single.

It feels like a doorway.

ALBUM REVIEWS FEATURED MUSIC NEWS

August 14, 2026 Jason Shrum

Sophia Brand’s New Single ‘Rodeo’ is Much More than Just Another Breakup Song

Sophia told me, “Honestly, ‘Rodeo’ was born out of a moment of transformation. After being cheated on and discovering it was with the same woman who had been involved with a previous partner, I was done being the victim. I didn’t want to write another heartbreak song so I leaned into the anger and the writing process became my way of reclaiming power. I wanted it to be a song about recognizing the pattern, refusing to be blindsided again, and this time being the one in control. The concept is equal parts seduction and revenge with luring him back in and then tearing him apart. I want anyone listening to feel empowered with any situation that leaves them feeling minimized because it’s not in their control”. She added, “Anyways, I promise I’m a nice person!”

ALBUM REVIEWS FEATURED MUSIC NEWS

August 13, 2026 Melinoe Macaria Mourningstar

Princess Goes | “French Kiss” | Latest Single Review

Welcome Ghouls, Demons, and Fellow Wyrd Ones!!! Princess Goes (featuring Michael C. Hall, Matt Katz-Bohen and Peter Yanowitz) released their Third Single “French Kiss” to tease their next album “3!” The album graces the public on October 30th, 2026! French Kiss is described as a “sprawling, six-and-a-half-minute electro-pop-disco-rock slow-burn.” The band notes inspirations from Daft Punk, Justice, Giorgio Moroder, and Isabelle Adjani. I was fucking electrified from the first listen. I cannot wait to witness the entire masterpiece that will be this album. These teasers have been the most exhilarating edgings of my melodic life. And their alignments with my spiritual reckonings, blessings and cognizance of wisdom has been brilliantly timed in mythological fashion. I couldn’t be more in love with how my story has played out, and where my story will continue to weave. That is equally manifested and expressed through my LOVE for Princess Goes, and this monumental album to come. Peter Yanowitz has expressed how these songs, and this album, have granted them an understanding of themselves, their sound, and who they want to be as the Universe has seemingly planted everything perfectly before them, and before us all!

ALBUM REVIEWS FEATURED

August 4, 2026 Jason Shrum

Parker Barrow | Hold The Mash | Album Review

When you listen to the album, it seems timeless in the sense that you could drop this compilation in any decade, post the mid-60’s, and it would be identifiable as being made in that timeframe. This construction of their art is well thought out, well place and certainly orchestrated with meticulous care. The fact that Parker Barrow’s sophomore record and the Rolling Stones 25th studio release came out within a week of each other is quite a cool coincidence. It bookmarks a place in musical history, yet it also says that the future has been listening and that the music never dies;it just takes on new shapes with fresh voices. Megan is that vocal prominence that tears into these tracks with a vibrance and a soul sound that is never mundane. She never sings in an idle space. Megan’s range matches the components of her bandmates’ abilities, and that is to say it is all endless. The twin lead guitars of Tipton and Bender jangle and twang with idyllic riffs and Safka’s electric ivories dance alongside, as all the cosmic tones race in the ethos of these recordings. Turner’s powerful pacing from behind the kit looms large with Priber’s bass and that uproarious thundering echo of life maintains an arc of toe-tapping joy.