music review

FEATUREDMUSIC NEWS

Sly Stone, Sly and the Family Stone Frontman, Dead at 82

“It is with profound sadness that we announce the passing of our beloved dad, Sly Stone of Sly and the Family Stone,” his family said in a statement on Monday, June 9. “After a prolonged battle with COPD and other underlying health issues, Sly passed away peacefully, surrounded by his three children, his closest friend, and his extended family. While we mourn his absence, we take solace in knowing that his extraordinary musical legacy will continue to resonate and inspire for generations to come.”

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FEATUREDLIVE REVIEWSMUSIC NEWS

Michael Shannon, Jason Narducy & Friends Channel R.E.M. (and Literal R.E.M.) in Athens, Georgia

I fell in love with Athens during my first visit in 1999 or so. Sure, it was initially fueled by the fact that I’m a huge R.E.M. fan and, as such, Athens is basically Mecca, but it quickly became more than that. Athens is an anomaly in the south: a quaint, college town with a rich history of art and music, surrounded by sprawling farmland, isolating it from neighboring Atlanta, making it a funny little island, where, for decades now, weirdos get to be weirdos, experimenting with sounds, words and visuals, free of judgement and expectations. Leaving Athens always stings a little, in that I find myself wishing I could spend more time there, or had lived there in my 20s.

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B SidesFEATURED

Stick it to the Man

I love how clean this track is.  It is a true testament into their production value and the uptick that I have personally seen in their professionalism. The mixing of the song by engineer Steve Hardy is absolutely fantastic. This band hits hard and plays fast but there isn’t any fallout of chaos.  The song could quite easily fit into a movie soundtrack that is looking for a theme song.  I imagine the underdog protagonist fighting against the corporate entity, who is looking to capitalize on humanities willingness to overlook their wrong doings for a handful of dimes.

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FEATUREDLIVE REVIEWS

The New Mastersounds bring Jazz-Fusion to Nashville

I was treated to an extraordinary show last week at the world-famous Exit/In in Nashville, Tennessee with The Gripsweats supporting The New Mastersounds. The two, powerhouse, electronic-forward, funk, jazz-fusion, jam bands, put on a display of rhythm-heavy-keypunching vibe and a toe tapping cavalcade of fun on a Wednesday night. I know that’s a lot of descriptors slammed together in one nearly non sensical sentence structure, but it is well needed to identify these sets.  

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