Tuesday, May 26, 2026
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live music

FEATUREDLIVE REVIEWS
Jason Shrum

Bully Packs A Punch at The Blue Room

I was back at The Blue Room again in Nashville to cover the Bully show with Jawdropped supporting on the second evening of a two-show engagement.  You know you spend a lot of time at a venue when you walk up to the ticket person and they say, “Oh, it’s you again”.  I laughed.  Live music venues are my happy place, so I was certainly glad to be there again.  This would be my third time seeing Alicia Bognanno and her band.  “Bully” refers to her “inner bully” or the “inner demons” she confronts in her music and life. The name Bully also represents the initial band she fronted a decade ago but later became synonymous with Bognanno herself as the sole member.  

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FEATUREDLIVE REVIEWS
Jason Shrum

Arts Fishing Club Drops Lines in Blue Room Waters 

Their sound is hard to root down and that’s why I am excited about their future.  You can say they are this or that, but their ability to play just about anything is evident in their music.  At the core, Arts Fishing Club is branded as an indie-folk rock band, but I am not sure that’s the best descriptor of what they are about, although I am not sure how I would list them if I had to.  The music is fun.  The band plays tight.  It’s fast when it needs to be but slows down with all the right accents tapping directly into all the listeners emotions. They keep it light between songs too, letting the audience know just how much fun they are having.  On this Thursday, in the dimly lit architectural aqua-bowl of a room, our guiding light was AFC. 

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ALBUM REVIEWSFEATURED
Jason Shrum

The Staggering Expanse of Man

The song’s beginning challenges the impact of our global footprint with its prose.  The band is screaming for us to listen and take heed, but our consumption may be drowning those cries out.  So, there is a musical shift that happens and the song structure slows as if to appeal to us with another approach.  This is one of those many layers that the trio brings to the forefront of their efforts.  With tightknit precision and playing, the group captures their audience in mystical undertones that float beneath rough and metallic surfaces.  It is absolutely gorgeous to listen to the transition from heavy to soft without losing the engagement of the audience.  It might have been three separate songs if conceptualized differently, but it works as one opus and only for a few seconds are we fluttering in this softened sonic status before being hurled back into a deeper sound. And for all this, we are just :40 seconds into our journey. 

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FEATUREDINTERVIEWSLIVE REVIEWS
Jason Shrum

Juke Box Jam II at The Basement East

The Basement East in Nashville was transformed into an old juke-joint/ sock hop with soul on Saturday night. The room was electric as people poured in, some donned in 1950’s and 60’s attire to watch a spectacular evening of beautiful music from the yesteryears. The stage was set with glittery streamers laced in a gold and red background, paper records looped around the venue, as a disco ball illuminated both floor and ceiling. There was an enchanting feeling that made me sense Michael J. Fox was about to blow up this “Under the Sea” monikered prom by ripping his cherry red Gibson ES-345 guitar and showing us the future of music.  

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FEATUREDMUSIC NEWS
Contributing Author

meg elsier Returns with New Single “sportscar [scrapped]”spittake Deluxe LP Out July 25

Meg Elsier is one of Rock Oracle’s favorite Nashville artists. Our Editor-In-Chief, Jason Shrum, has written a couple of pieces about Meg and her band. Jason had a chance to chat with Elsier and her bass player, Jashaun Smith atop The Bobby Hotel before a show curated by WNXP and became an even bigger fan. Meg’s music is both soothing and jagged in the best ways. Her sound tends to ebb and flow like the tides and takes the listener on an joltingly emotional exploration. We are here now to share Meg’s newest project. This from her management:

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